There’s loads for Prime Video subscribers to get pleasure from, with heaps to look ahead to sooner or later, however with such an expansive library, a number of the finest motion pictures may be simple to overlook, and that’s the place we are available in.
For followers of thrillers, probably the greatest streaming providers on the market has a humiliation of riches in terms of gripping motion pictures new and previous, from basic nail-biters to a few of most suspenseful movies of current years.
But to avoid wasting you hours of scrolling by titles on the service, we’ve received you, with our breakdown of seven of the tensest thrillers and finest Prime Video motion pictures, all of which boast good Rotten Tomatoes scores.
100 Days to Live (2019)
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Runtime: 87 minutes
Main solid: Colin Egglesfield, Gideon Emery, Heidi Johanningmeier, Yancey Arias, Chris J. Johnson
Director: Ravin Gandhi
Released to festivals in 2019, 100 Days to Live didn’t get a large launch till it hit streaming in 2021, however as soon as it arrived, it did so with loads of awards recognition and demanding acclaim.
The plot is harking back to the form of ’90s mid-budget thriller you don’t see a lot anymore, following psychologist Rebecca Church (Heidi Johanningmeier) as her fiancé is kidnapped by a serial killer often called ‘The Savior’. Working alongside detectives, Rebecca learns that the killer could also be somebody lengthy thought useless.
The movie has been praised for its dialogue of psychological well being, suicide and despair, with critic Nicki Swift saying: “It’s uncommon to discover a thriller that explores suicide with such a fragile hand.”
Dashcam (2021)
Runtime: 88 minutes
Main solid: Eric Tabach, Giorgia Whigham, Larry Fessenden, Zachary Booth, Guillian Gioiello, Noa Fisher
Director: Christian Nilsson
A contemporary tackle the surveillance thrillers of previous, Dashcam brings the style bang updated and into the world of ever-present recording gadgets and conspiracy tradition.
Dashcam follows Jake (Eric Tabach), a video editor at an area information channel tasked with engaged on footage of a routine site visitors cease that resulted within the loss of life of a police officer and a political official. When he’s despatched dashcam footage that appears to dispute the official sequence of occasions, Jake falls down a rabbit gap of attempting to uncover the reality.
Critics have praised the movie’s ingenious use of its low price range, melding the ‘screenlife’ style (Host, Searching) with typical methods. Critic Alexandra Heller-Nicholas referred to as it “a rare low-budget political thriller that does quite a bit with a bit, and is a masterclass that typically, having the heart to punch above its weight can repay simply by sheer audacity alone.”
Gaslight (1940)
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Runtime: 89 minutes
Main solid: Anton Walbrook, Diana Wynyard
Director: Thorold Dickinson
The movie that impressed the phrase. The recipient of a big-budget MGM remake simply 4 years after its launch, this authentic model is the one you need to see.
20 years after a lady is murdered by an unknown assailant whereas he’s looking out her home, a pair of newlyweds Bella (Diana Wynyward) and Paul (Anton Walbrook) transfer into the lengthy empty abode. Not lengthy after their arrival, Bella begins to search out herself misplacing issues and noticing unusual occurrences, together with the dimming of the home’s fuel lamps.
Paul insists nothing is mistaken and maybe Bella is dropping her thoughts, however as anybody acquainted with the trendy discourse will know, the sketchy husband might have a hand within the weird occasions.
Comparing the film to its Hollywood remake, Time Out referred to as it “a superior movie by far,” whereas critic Leonard Maltin praised its “electrifying ambiance, scrumptious performances and succinctly conveyed sense of insanity.”
I Hate the Man in My Basement (2020)
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Runtime: 103 minutes
Main solid: Chris Marquette, Nora-Jane Noone, Manny Montana
Director: Dustin Cook
Not a movie you will have heard of, maybe, however a one value trying out. Part rom-com, half thriller, half horror, I Hate the Man in My Basement is a genre-bending deal with.
Written and directed by Dustin Cook, the movie focuses on Claude (Chris Marquette), who, nonetheless grieving the lack of his spouse, agrees to a blind date with Kyra (Nora-Jane Noone). The pair hit it off and Claude decides its time to attempt to transfer ahead with a brand new relationship, aside from one downside… sure, it is that previous chestnut, there’s a person held captive in his basement.
One for followers of darkly comedian thrillers, critics have referred to as this one a film that “explores the darkish aspect of humanity” (Culture Mix) and “finds humor in probably the most troublesome locations” (Eye for Film).
The Terminator (1984)
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Runtime: 107 minutes
Main solid: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield
Director: James Cameron
The movie that kicked off each one in every of sci-fi’s most enduring franchises and the profession of filmmaker James Cameron, in addition to propelling Arnold Schwarzenegger into the stratosphere, The Terminator wants little or no introduction.
For these new to the movie, it follows Sarah Connor, an LA waitress stalked by a murderous time-travelling cyborg whose sole mission is to assassinate her and forestall the beginning of her son John, who will sooner or later lead the riot in opposition to the machines.
With solely Michael Biehn’s Kyle Reese – one in every of John’s troopers despatched again to guard his mom – between her and Schwarzenegger’s terrifying killer, what follows is an unbearably tense chase by town because the Terminator stops at nothing to finish its mission.
Despite the sequels that adopted, The Spectator calls the unique “engrossing, suspenseful […] and completely stands the take a look at of time,” whereas Total Film say its “A nerve-bludgeoning, relentlessly thrilling motion film masterpiece.”
The Wages of Fear (1953)
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Runtime: 153 minutes
Main solid: Yves Montand, Charles Vanel, Folco Lulli, Peter Van Eyck, Véra Clouzot
Director: Henri-Georges Clouzot
Remade twice and even inspiring an episode of The Mandalorian, The Wages of Fear can typically be discovered atop lists of the tensest movies ever made.
From legendary director Henri-Georges Clouzot and tailored from Georges Arnaud’s novel of the identical identify, the movie follows a bunch of 4 out-of-work males who’re employed by an oil firm to drive two vans loaded with extremely unstable nitroglycerin throughout mountainous terrain.
The setup might sound easy, however figuring out the payload might explode at any second from the slightest mistake makes for a nail-biting runtime. Add to {that a} lethal creating rivalry between the crews of each vans and also you’ve received your self an all-time basic thriller.
Time Out commented on how the movie builds on the suspense created by the likes of Hitchcock and Welles earlier than, calling the movie “Hitch’s bomb-under-the-table suspense formulation burnished to an knowledgeable sheen.” And when you have any doubts this is likely one of the most edge-of-your-seat flicks on the market, FilmWeek summarized the image, saying “your blood strain will go as much as harmful ranges whereas watching this.”
Witness for the Prosecution (1957)
![Witness for the Prosecution (1957) ORIGINAL TRAILER [HD 1080p] - YouTube](https://mobileplustech.com/wp-content/uploads/2025/05/1748550236_247_7-tense-thrillers-on-Prime-Video-with-100-Rotten-Tomatoes.jpg)
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Runtime: 116 minutes
Main solid: Tyrone Power, Marlene Dietrich, Charles Laughton, Elsa Lanchester, John Williams
Director: Billy Wilder
No thriller record can be full with out the Queen of Crime, and Witness for the Prosecution is likely one of the most interesting Agatha Christie variations on the market.
Directed by basic Hollywood icon Billy Wilder, the movie tells the story of Leonard Vole (Tyrone Power), a person on trial for the homicide of a rich lady. He has a strong alibi, nevertheless it depends upon the testimony of his estranged spouse Christine (Marlene Dietrich), who, removed from being the assist he wants, decides to testify in opposition to him. What follows is a gripping courtroom drama, stuffed with intrigue, stunning revelations and shocking reversals.
Despite numerous additional variations, Slant Magazine name Wilder’s model “an alchemic triumph of easy story execution, pinpoint humour and an appearing masterclass” whereas Film Frenzy say it’s “the best of all of the Agatha Christie variations which were dropped at the display screen.”
